{"id":1774,"date":"2025-04-29T14:45:06","date_gmt":"2025-04-29T12:45:06","guid":{"rendered":"https:\/\/lachendebestien.eu\/o-nas\/"},"modified":"2025-10-07T15:01:10","modified_gmt":"2025-10-07T13:01:10","slug":"about-us","status":"publish","type":"page","link":"https:\/\/lachendebestien.eu\/en\/about-us\/","title":{"rendered":"About us"},"content":{"rendered":"\t\t
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o n\u00e1s<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pra\u017esk\u00fd alternativn\u00ed divadeln\u00ed soubor Lachende Bestien se zformoval kolem osoby re\u017eis\u00e9ra Michala H\u00e1by, hudebn\u00edka Jind\u0159icha \u010c\u00ed\u017eka a sc\u00e9nografky Adriany \u010cern\u00e9 u\u017e v roce 2011. Skupina je pova\u017eov\u00e1na za jeden z nejprogresivn\u011bj\u0161\u00edch pra\u017esk\u00fdch divadeln\u00edch subjekt\u016f.<\/p>

Do ve\u0159ejn\u00e9ho pov\u011bdom\u00ed se zapsali u\u017e sv\u00fdm debutem, inscenac\u00ed 120 dn\u00ed svobody \u2013 variac\u00ed de Sadova kontroverzn\u00edho rom\u00e1nu, kter\u00e1 se zab\u00fdvala hranicemi p\u0159edstavivosti a de facto charakterizovala sm\u011b\u0159ov\u00e1n\u00ed tvorby skupiny, v n\u00ed\u017e jdou \u201ediv\u00e1kovi proti srsti\u201c a ponoukaj\u00ed ho k aktivn\u00edmu dialogu. Renom\u00e9 si z\u00edskali uveden\u00edm dramatu Wernera Schwaba Pornogeografie, za n\u011b\u017e obdr\u017eeli Cenu Josefa Balv\u00edna 2016. Od t\u00e9 doby se v r\u016fzn\u00fdch v\u00fdro\u010dn\u00edch anket\u00e1ch a obdobn\u00fdch cen\u00e1ch ud\u011blovan\u00fdch teatrologickou ve\u0159ejnost\u00ed Lachende Bestien objevuj\u00ed tak\u0159ka pravideln\u011b.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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V jejich reperto\u00e1ru v\u011bt\u0161inov\u011b figuruj\u00ed autorsk\u00e9 projekty, ale v\u011bnuj\u00ed se i adaptac\u00edm \u201etradi\u010dn\u00edch\u201d divadeln\u00edch text\u016f \u2013 jako M\u00fcllerovo Pov\u011b\u0159en\u00ed (2018), Ibsen\u016fv Nep\u0159\u00edtel Lidu (2019) \u010di Sikorovi Jako lvi aneb Sestup a vzestup pana B. (2023).

Lachende Bestien navazuj\u00ed na tradici Brechtovsk\u00e9ho divadla a to nejen zcizuj\u00edc\u00edm herectv\u00edm, ale zejm\u00e9na analytick\u00fdm pohledem na realitu. Ve sv\u00fdch projektech tematizuj\u00ed a zpochyb\u0148uj\u00ed ideu kapitalismu a programov\u011b se zab\u00fdvaj\u00ed soci\u00e1ln\u00ed nerovnost\u00ed. V\u00fdsledkem t\u00e9to profilace je spole\u010densko-kritick\u00e9, anga\u017eovan\u00e9 a apelativn\u00ed divadlo, pro n\u011b\u017e je z\u00e1rove\u0148 typick\u00e1 sebeironie a nadhled nad v\u00e1\u017en\u00fdmi t\u00e9maty.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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tv\u016frci<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Michal H\u00e1ba<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vystudoval re\u017eii v ateli\u00e9ru doc. Miroslava Krobota na pra\u017esk\u00e9 DAMU, absolvoval st\u00e1\u017ee v berl\u00ednsk\u00fdch divadlech Volksb\u00fchne am Rosa-Luxemburg-Platz a Maxim Gorki Theater. V Lachende Bestien p\u016fsob\u00ed jako re\u017eis\u00e9r, autor, herec a producent. Pod Lachende Bestien spad\u00e1 i projekt Divadla ko\u0148a a motora se soci\u00e1ln\u00edm a komunitn\u00edm p\u0159esahem. Jako hostuj\u00edc\u00ed re\u017eis\u00e9r se H\u00e1ba pohybuje na rozli\u010dn\u00fdch divadeln\u00edch \u00fazem\u00edch od autorsk\u00e9ho divadla (Opletal, Budouc\u00ed lok\u00e1ln\u00ed hv\u011bzda Hochman hraje b\u00fdvalou glob\u00e1ln\u00ed hv\u011bzdu Thunberg v Divadle na cucky) p\u0159es interpreta\u010dn\u00ed \u010dinohru (Lakomec, Kdo se boj\u00ed Virginie Woolfov\u00e9, Mary\u0161a, Kr\u00e1l Lear v Klicperov\u011b divadle, Sen \u010darovn\u00e9 noci v Divadle Petra Bezru\u010de, Divadeln\u00edk v Slovensk\u00e9m komorn\u00edm divadle nebo Peer Gynt, \u0160kola \u017een v \u010cinohern\u00edm studiu) a\u017e k divadlu dekonstruktivn\u00edmu \u2013 mimo inscenace Lachende Bestien (Ferdinande!, Sezuan, Pov\u011b\u0159en\u00ed, Kohlhaas) je to nap\u0159. Hr\u00e1\u010d podle Dostojevsk\u00e9ho v Divadle Husa na prov\u00e1zku. V sou\u010dasn\u00e9 dob\u011b p\u016fsob\u00ed na pozici kmenov\u00e9ho re\u017eis\u00e9ra v \u00dasteck\u00e9m \u010cinohern\u00edm studiu, kde se od sezony 2025\/2026 stane um\u011bleck\u00fdm \u0161\u00e9fem.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Absolvoval skladbu na Konzervato\u0159i Jaroslava Je\u017eka v roce 2015. Nej\u010dast\u011bji komponuje hudbu pro divadeln\u00ed inscenace, ale tak\u00e9 hudbu filmovou. Ve sv\u00e9 pr\u00e1ci vyu\u017e\u00edv\u00e1 \u0161irok\u00e9ho \u017e\u00e1nrov\u00e9ho rozkro\u010den\u00ed od hudby v\u00e1\u017en\u00e9 p\u0159es pop k elektronice a sound designu. Divadeln\u00edm domovem je pra\u017esk\u00fd soubor Lachende Bestien, nej\u010dast\u011bj\u0161\u00edmi spolupracovn\u00edky re\u017eis\u00e9\u0159i Michal H\u00e1ba a \u0160imon Spi\u0161\u00e1k. B\u011bhem n\u011bkolika m\u00e1lo let vytvo\u0159il hudbu k v\u00edce ne\u017e 20 inscenac\u00edm. Filmy Martina M\u00e1je a Alexandry Hetmerov\u00e9 s \u010c\u00ed\u017ekovou hudbou p\u0159ivezly celou \u0159adu ocen\u011bn\u00ed z festival\u016f po cel\u00e9m sv\u011bt\u011b. Hraje s kapelou Ka\u0161p\u00e1rek v rohl\u00edku a p\u0159\u00edle\u017eitostn\u011b p\u016fsob\u00ed jako herec.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Jind\u0159ich \u010c\u00ed\u017eek<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Adriana \u010cern\u00e1<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sc\u00e9nografii vystudovala v ateli\u00e9ru prof. Petra Mat\u00e1ska na Kated\u0159e alternativn\u00edho a loutkov\u00e9ho divadla pra\u017esk\u00e9 DAMU. Jako sc\u00e9nografka i autorka kost\u00fdm\u016f spolupracovala s \u0159adou sc\u00e9n a tv\u016frc\u016f, od kamenn\u00fdch divadel (nap\u0159. N\u00e1rodn\u00ed divadlo, Dejvick\u00e9 divadlo, Divadlo Petra Bezru\u010de) p\u0159es projektovou tvorbu (SKUTR, Petra Tejnorov\u00e1, 11:55) a\u017e po tane\u010dn\u00ed sc\u00e9nu (VerTeDance). V inscena\u010dn\u00edm t\u00fdmu H\u00e1ba\u2013\u010cern\u00e1\u2013\u010c\u00ed\u017eek pracuje pravideln\u011b i mimo projekty skupiny Lachende Bestien.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Na DAMU absolvovala na Kated\u0159e teorie a kritiky, p\u016fsobila v n\u011bkolika festivalov\u00fdch redakc\u00edch (Zlomvaz, Encounter, Loutk\u00e1\u0159sk\u00e1 Chrudim, NextWave, Theatrum Kuks, Babk\u00e1rsk\u00e1 Bystrica, Regiony, Ostravar, Skupova Plze\u0148). Absolvovala st\u00e1\u017ee v M\u011bstsk\u00fdch divadlech pra\u017esk\u00fdch (m.j. v r\u00e1mci koprodukce s Staatstheater Augsburg), Divadle Minor a v \u010cesk\u00e9m rozhlase. P\u0159ekl\u00e1d\u00e1 z n\u011bmeck\u00e9ho jazyka. Nyn\u00ed je kmenovou dramaturgyn\u00ed \u010cinohern\u00edho studia v \u00dast\u00ed nad Labem. Kriticky a odborn\u011b se v\u011bnovala loutkov\u00e9mu divadlu, byla redaktorkou \u010dasopisu Loutk\u00e1\u0159 a spolupracovala na n\u011bkolika publikac\u00edch. V Lachende Bestien se pod\u00edl\u00ed na dramaturgii a produkci s fokusem na p\u0159eshrani\u010dn\u00ed spolupr\u00e1ci.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Veronika Linka<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Herci<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Jan
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Jan Hu\u0161ek<\/figcaption><\/figure><\/div>
\"Marie
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Marie Machov\u00e1<\/figcaption><\/figure><\/div>
\"Radka
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Radka Fidlerov\u00e1<\/figcaption><\/figure><\/div>
\"Kry\u0161tof
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Kry\u0161tof Barto\u0161<\/figcaption><\/figure><\/div>
\"Mark
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Mark Kristi\u00e1n Hochman<\/figcaption><\/figure><\/div>
\"Ond\u0159ej
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Ond\u0159ej Jir\u00e1\u010dek<\/figcaption><\/figure><\/div>
\"Simona
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Simona H\u00e1ba Zmrzl\u00e1<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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o n\u00e1s Pra\u017esk\u00fd alternativn\u00ed divadeln\u00ed soubor Lachende Bestien se zformoval kolem osoby re\u017eis\u00e9ra Michala H\u00e1by, hudebn\u00edka Jind\u0159icha \u010c\u00ed\u017eka a sc\u00e9nografky Adriany \u010cern\u00e9 u\u017e v roce 2011. Skupina je pova\u017eov\u00e1na za jeden z nejprogresivn\u011bj\u0161\u00edch pra\u017esk\u00fdch divadeln\u00edch subjekt\u016f. Do ve\u0159ejn\u00e9ho pov\u011bdom\u00ed se zapsali u\u017e sv\u00fdm debutem, inscenac\u00ed 120 dn\u00ed svobody \u2013 variac\u00ed de Sadova kontroverzn\u00edho rom\u00e1nu, kter\u00e1 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1774","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/pages\/1774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/comments?post=1774"}],"version-history":[{"count":14,"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/pages\/1774\/revisions"}],"predecessor-version":[{"id":1863,"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/pages\/1774\/revisions\/1863"}],"wp:attachment":[{"href":"https:\/\/lachendebestien.eu\/en\/wp-json\/wp\/v2\/media?parent=1774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}